YouTube has changed music history
12/1/2009: Over the holidays last week, I was listening to music via YouTube and thinking these very same thoughts again. This is one of my favorite posts from this year. Begin post....
In 1988, I started playing the guitar. I remember the exact moment I decided to seriously attempt it. I was thirteen, channel surfing, and then I came across Stevie Ray Vaughan playing a three song set on VH1's Unplugged. Our paths crossed at that very moment and my musical tastes have never been the same.
Today I can revisit or share that moment through the power YouTube. Though I'm an avid fan of Stevie Ray, I would have never known or experienced all of his influences, yet I know them today because of the technology revolution around music. I know and have listened to some of the influences that Stevie borrowed musical phrasing and style from, like Albert King. I listened to Albert King doing Blue's Power on YouTube recently, thinking, "um sounded an awful lot like the intro to SRV's Texas Flood." It's funny how all of those things are interrelated. What is even better is that we have the best way to preserve, see and experience those musical relationships via the interwebs, specifically YouTube. That's why YouTube is now my musical library of choice.
YouTube is preserving history. I have found versions of my favorite songs that I did not know existed. I found a version of Hendrix doing Little Wing from Royal Albert Hall in 1969 that is simply amazing, my favorite version. The recently departed and super talented Jeff Healey can be found doing some hot jazz from the 1930's or you can find some of his blues contributions as well. Like a little country? Find Bartender's Blues, written by James Taylor and performed by George Jones or even better (in my opinion), find Sunday Morning Coming Down by Cash and Kristofferson. Regardless of your musical taste, YouTube democratized contributing to the pages of musical history. In some cases, the videos are simply slide shows, but that's not the important part, the music is and it's there.
It's not just about history, it's about influences. I mentioned it above, but never before in history could you tie the musical influence history together so rapidly. Just look at the blues, you can start at Robert Johnson and see how he influenced Muddy Waters, Albert King, Hendrix, Clapton, SRV and end up with Doyle Bramhall II. It's not just the blues though. You get to experience the artists performing their favorite music and that's my favorite thing about grabbing music on YouTube. There's a version of Valerie, made more known by Amy Winehouse, but written by the Zutons. The acoustic version by Amy is great, just her and a guitarist. However, you get to see the original version in a related link. Never before has a musical genealogy like this been present.
The key is the fans. There were millions and millions of little videos, recordings and fragments of history disbursed throughout the world. The interwebs has provided the methods to collect, aggregate and share. Music companies could do this, but they are too disorganized and the purpose of sharing on their behalf is singular, money. They may have something on tape, but it's simply not worth it for a company to aggregate and release a single for someone that would receive limited sales. The fan is motivated by enjoyment, not dollars. It turns out that is pretty powerful. Fans go to great lengths to share, record and put slideshows to music on YouTube. My kids now get to enjoy some of the musical legacy, commercial and independent that I've enjoyed.
Location shift. I was in St. Louis a number of years ago and starting following the Tony Campanella Band. St. Louis has a great blues scene and he's an active part of it. I was at that show in 1997 and whether it was his immense talent or the libations, I was hooked. Today, I keep up with him through his website and find him on YouTube as well. I've been down to St. Louis at least six or seven times for the purpose of seeing him perform. Never before has enjoying even local bands been so easy to do.
Teaching legacy. If you weed through some of the noise on YouTube, you can find some pretty amazing teaching techniques on YouTube. I saw this guy teaching Hendrix's Voodoo Chile. In another example, there are people teaching classical techniques, like tremolo. There is nothing more that assures legacy than teaching it and the medium is being used to teach new musicians everyday.
We, the fans, are creating a more accurate, compelling and accessible version of music history every day. The interwebs has democratized everyone's ability to contribute, experience and share music, regardless of taste or location. Never before have we been able to experience have we been able to experience musical legacy, history and influence so quickly. This is why YouTube has become my music station of choice.
I invite everyone to critique this post as I'm interested as to how you're musical experience has changed with technology.
~marty follow me on twitter @marty_b